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MARIION CHRISTIIAN is no stranger to V.I.M.BREAKS family as he has already released a quality collab single (together with BEAR MOSS) for our label back in February of 2016. The quality Progressive-House/Chill/Breaks producer (check also his dope releases for DEL SOL MUSIC, GENUINE DJ DEBBIE D RECORDS and BASE INDUSTRY RECORDS) returns to our label with a brand new pure fire single. “SUGARFISH” is a killer track with darkish and oldskoolish Electro-Breaks feeling, superb synths and awesome bassline! On the remix duties we’re proud enough to present a dancefloor bomb by one of the best Breaks producer of the modern Breaks scene, the mighty Spanish hero SHADE K! One of the hottest producers of the scene with great chart success and strong support by almost everyone, Shade K’s setting dancefloors on fire worldwide since 2011 with superb releases for top labels like ELEKTROSHOK RECORDS, DIABLO LOCO RECORDS, MUSIC DARK RECORDS, XCLUBSIVE RECORDS, YES MATE RECORDINGS, RAVESTA RECORDS, KINDCRIME RECORDINGS, SPEKTRA RECORDINGS and many-many more!



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Franks turned, his face pale and vacant. The A-class leady shifted. "As you can see, the Tube has been shut. We were prepared for this. As soon as all of you were on the surface, the order was given. If you had gone back when we asked you, you would now be safely down below. We had to work quickly because it was such an immense operation." "But why?" Moss demanded angrily. "Because it is unthinkable that you should be allowed to resume the war. With all the Tubes sealed, it will be many months before forces from below can reach the surface, let alone organize a military program. By that time the cycle will have entered its last stages. You will not be so perturbed to find your world intact. "We had hoped that you would be undersurface when the sealing occurred. Your presence here is a nuisance. When the Soviets broke through, we were able to accomplish their sealing without—" "The Soviets? They broke through?" "Several months ago, they came up unexpectedly to see why the war had not been won. We were forced to act with speed. At this moment they are desperately attempting to cut new Tubes to the surface, to resume the war. We have, however, been able to seal each new one as it appears." The leady regarded the three men calmly. "We're cut off," Moss said, trembling. "We can't get back. What'll we do?" "How did you manage to seal the Tube so quickly?" Franks asked the leady. "We've been up here only two hours." "Bombs are placed just above the first stage of each Tube for such emergencies. They are heat bombs. They fuse lead and rock." Gripping the handle of his gun, Franks turned to Moss and Taylor.



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Josephine, uttering a desperate cry, had let go of the supporting rail and had flung herself into space. Juve saw the young woman's body spin in the air, heard the dull thud that it made as it crashed against the ground. "It is monstrous!" Juve beside himself tore down the stairs full tilt, passed breathlessly the porteress, who seemed likely to faint at the sight of the headlong pace of the supposed paralytic. He went round Boulevard Pereire, darted along the railway line, and, panting, got to the side of the ill-starred Josephine. At the sound of her fall and the cries she uttered people had flown to the windows, passers-by had turned round: when Juve got there a ring of people had already formed round the unfortunate woman. The detective roughly pushed some of them aside, knelt down beside the body and put his ear to the chest. "Dead? No!" A faint groan came from the lips of the poor sufferer. Juve realised that by unheard-of luck, Josephine, in the course of her fall, had struck the outer branches of one of the trees that fringed the Boulevard. This had somewhat broken the shock, but her legs were frightfully broken and one of her arms hung lifeless."Quick!" commanded Juve. "A cab; take her to the hospital." As soon as help was forthcoming, Juve, recalled to the duties of his profession, asked himself: "What can have occurred? What was it she tried to escape by throwing herself into space? I saw the whole room, there was no one with her. She must have been the victim of a delusion."


EvilBeat - Twerking Bastard REMIXED EP

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Two more heavyweight producers join the Toast & Jam roster on this brand new remix package of EvilBeat - Twerking Bastard. Up first is a storming glitch hop remix by Optobot. Big synths, a funk guitar loop, and a tranced-out vocal ride over Optobot's signature heavy kicks and snares. The second remix comes to you from veteran Spanish producer Deibeat. He uses vocals from the original mix and adds in a vintage rave synth over a funky breakbeat groove to give this track a proper breaks rinse out. Check 'em out!



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Our Life is a Game. Quite often, it resembles a computer game. Only in this game we are not given a chance to save or reload a level. As every game, our life starts with loading. Loading into our body. Man's soul enters this world. Its appearance in the matter is accompanied with the first breath. Then, being a clean sheet of paper, it makes first shy steps in a new body. And it runs into the order of things in the world displayed. Frequently the attempts to make sense and understand lead to the chaos in a man's head and soul. This Game is intricated especially. The scenario can be quite knotted and the level of difficulty varies, depending on your personal karma - that is the sum of previous right and wrong deeds. For a while, a man can realize that the Game is simply mad. So, the man has to be mad himself. Consciously. Thus he starts his living in this mad world, ruling his own silliness. If he is successful in figuring out and fulfilling the goal of his current Game - he overcomes inner and outer Chaos. While watching final credits he is leaving as a winner. Completely satisfied. If not - in any case Game is Over. And the Soul repeats the path. A new Game starts...


More Info...

Est. 1998. is a breakbeat community featuring the breaks and breakbeat radio station broadcasting 24 hours a day, 7 days a week. Internet radio station dedicated to dropping the hottest beats on the airwaves: domestic breaks, nuskool breaks, electro breaks, funky breaks, drum and bass, dubstep, drumstep, trap and anything else with a breakbeat. Check the schedule for the full lineup of weekly breakbeat djs broadcasting live hifi audio and video. Also, check out our breakbeat forum for latest updates on releases, shows, and events. Register and join our breaks community today.

What is Breakbeat

Breakbeat (sometimes breakbeats or breaks) is a term used to describe a collection of sub-genres of electronic music, usually characterized by the use of a non-straightened 4/4 drum pattern (as opposed to the steady beat of house or trance). These rhythms may be characterised by their intensive use of syncopation and polyrhythms.



In the late 1970s and early 1980s, hip-hop DJs (starting with Kool DJ Herc) began using several breaks (the part of a funk or jazz song in which the music "breaks" to let the rhythm section play unaccompanied) in a row to use as the rhythmic basis for hip-hop songs. Kool DJ Herc's breakbeat style was to play the same record on two turntables and play the break repeatedly by alternating between the two records (letting one play while spinning the second record back to the beginning of the break). This style was copied and improved upon by early hip hop DJs Afrika Bambaataa and Grand Wizard Theodore.This style was extremely popular in clubs and dance halls because the extended breakbeat was the perfect backdrop for breakdancers to show their skills.

In recent times, the term breakbeat has become synonymous with the many genres of breaks music which have become popular within the global dance music scene, including big beat, nu skool breaks and progressive breaks. DJs from a variety of genres, including house and techno, work breaks tracks into their sets. This may occur because the tempo of breaks tracks (ranging from 110 to 150 beats per minute) means they can be readily mixed with these genres, whereas the comparatively fast speed of jungle and drum and bass (160-180 bpm) may have restricted the utility of these subgenres to DJs playing slower-tempo music. Some artists well known for breakbeat include The Freestylers, NAPT, Dj Loopy, Pendulum, Soul Of Man, Dj deekline and wizard, Ben & Lex, The Breakfastaz, Ctrl Z, Stanton Warriors, Dj Icey, Freq Nasty and Plump DJ's.

Breakbeats are used in many hip hop, rap, jungle, and hardcore songs, and can also be heard in other music, from popular music to background music in car and jean commercials on the radio or TV.



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